Thursday, 8 December 2011

London trip day 2 After a hearty breakfast we set off for the Saatchi gallery on Kings road Sloane square area I particularly liked the spiral minimalistic tree and spheres which were in the trees too.






Looks like Lighworks crew were here too!


http://www.saatchi-gallery.co.uk/

We came to see the exhibition of New art from Germany, the exhibits were very varied in medium and display and were very well curated in the expanse of the rooms in the vast gallery space. I particularly liked the sculptures because the artists had used found objects and raw materials.
http://www.saatchi-gallery.co.uk/artists/germany_art/


Alexandra Bircken’s unmonumental stretcher frame sculptures are informed by her background in fashion design and interest in the radical aspects of handmade culture. A fragmentary array of irregular objects and organic shapes, often coloured by the artist, is hung and displayed on strings and aluminium rods. Saaitchi gallery





 Leibhaftige Malerei (2007), an elegant large-scale painting, harnesses abstract abandonment into a dark forest scene depicting figures performing a mysterious act in the foreground. The painting fuses Koether’s interest in experimental technique with the primal, raw power of self-consciously primitivistic imagery. Saaitchi gallery.



 Georg Herold’s arching and stretching anthropomorphic sculptures from 2010 suggest an ambiguous, self-aware state of tension. The crude stick figure minimalism of the two reclining bodies contrasts with the visceral nature of their poses. There is something fetishistic about these figures: one looks like it’s being dragged along the ground with its hands tied up; the other exaggeratedly bends its back in an overtly sexualised and gendered stance. The viewer is left to take in the weird conceptual paradox they embody: the objectifying dehumanisation they point to and the very human artifice of their construction – they are made out of roof battens, canvas, lacquer thread and screws, materials which the artist has been working with for decades. Saaitchi Gallery


Thomas Kiesewetter makes elegant abstract sculptures in which an industrial material, sheet metal, is playfully bent, folded and imbued with organic, almost human characteristics. Bolted together and painted in bold colours, his sculptures are reminiscent of modernist architectural shapes, as much as they make us conscious of the solidity of their single material. These angular works, unified by their material and their colour, look as if they have been frozen in action, caught mid-stride in their slightly neurotic articulation. Saaitchi Gallery






Even the scaffolding looked good! 









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